Siobhan Liddell, Untitled (Yellow Knot), 2018, Glazed ceramic, 10.5 x 9.25 x 2.75 inches
Siobhan Liddell, Nobody's World, 2019, Digital print, wood, glue, 11 x 8.75 x 5.5 inches, Unique
Siobhan Liddell, Waves, 2017, Paper, bamboo, and glue, Dimensions variable
Siobhan Liddell, Habits of Nature, 2016, Oil on linen, 41 x 32 inches
Siobhan Liddell, Silver and Blue, 2016, Acrylic and paper on canvas, 24 x 24 x.75 inches
Siobhan Liddell, Untitled, 2013, Oil on canvas and nails, 41 x 22.75 x 1 inches
Siobhan Liddell, Feather Moon, 2019, Unique digital print, 16.25 x 11.5 inches
Siobhan Liddell, Hang in There, 2018, Glazed ceramic, wire, clay, gouache,
31 x 5.5 x 4.5 inches
Siobhan Liddell, Between Two Bodies, 1998, Bronze, 10.5 x 8 x 8 inches, Unique
Siobhan Liddell, Mind Over Matter, 2017, Bamboo, brass glue, string, pins, and marigolds, 63 x 26 x 3 inches
Siobhan Liddell, This Century, 2018, Glazed ceramic and digital print, 7.75 x 7.75 x 3.25 inches
Siobhan Liddell (b.1965 Worksop, England) lives and works in New York City. She is a graduate of Central Saint Martins School of Art in London. Liddell’s work has been the subject of solo exhibitions internationally including at CRG Gallery and Thread Waxing Space in New York; the UCLA Hammer Museum in Los Angeles; Galerie Eric Dupont in Paris; the Henry Moore Institute in Leeds, UK; Bob Van Orsouw in Zurich, CH; and CCA Kitakyushu in Japan. Her work has been included in numerous group exhibitions, notably Witness: Against Our Vanishing (curated by Nan Goldin) at Artists Space; the 1995 Whitney Biennial; the Yokohama Triennale; the Musée d’Art Moderne de la Ville de Paris; the Contemporary Arts Museum, Houston; the New Museum, White Columns, Sikkema Jenkins Gallery, and Paula Cooper Gallery in New York. Her work is in the collection of the UCLA Hammer Museum; the Whitney Museum of American Art; and the Dallas Museum of Art. Reviews of her work have appeared in The New York Times, The New Yorker, Frieze, The LA Times, Village Voice, Art on Paper, and Flash Art.
She has collaborated with artists, dancers, poets, and musicians and was the recipient of the Rome Prize, Foundation for Contemporary Arts Grant, and the Joan Mitchell Foundation Award. She has published numerous books including Young Girl Slipping, published by CCA Kitakyushu and Korinsha Press (1998); The Unnamable (with excerpts from The Unnamable by Samuel Becket and The Hour of the Star by Clarice Lispector), published by Galerie Eric Dupont (1995); and Siobhan Liddell, a collection of drawings accompanied with poems by Fiona Templeton, published by Thread Waxing Space (1993).
Siobhan Liddell, Ours (detail), 2019, Papier-mâché, paper, wood, gouache, wire, nails, 34.25 x 10.5 x 11.75 inches