Leilah Babirye, Installation view: Amatwaale Ga Ssekabaka Mwanga II (The Empire of King Mwanga II) 

Leilah Babirye, Tuli Mukwano (We Are In Love) #1, 2018, Wood, metal, and found objects 9 x 3 x 2.5 feet

 

Leilah Babirye, Namasole Nakatya (Queen Mother of Ssekababka Mwanga II), 2018, Glazed ceramic, wire, and found object. 18.5 x 9.5 x 6.5 inches

Leilah Babirye, Omulangila Jjunju (Prince of The Buganda Kingdom) 2018,  Wood, metal, nails, glue and found objects. 29.5 x 10.75 x 8.75 inches

Leilah Babirye, Untitled #1 (The Queens Series), 2016, ceramic, burned wood, glue, 6 x 3.5 x 12 inches

Leilah Babirye, Tuli Mukwano (We Are In Love) #2, 2018, Wood, metal, cement, concrete and found objects, 9 x 5 x 4 feet

Leilah Babirye, Untitled (The Queens Series), 2015, Acrylic and mixed media collage on paper, 11.5 x 8.25 inches

Leilah Babirye, Untitled #2 (The Queens Series), 2016. ceramic, safety pins, scrap metal, 6 x 7 x 9 inches

Leilah Babirye, Remains #6, 2017-2018, Found objects, nails and wire on wood panel, 20.75 x 14.75 x 2.5 inches

Leilah Babirye, Omulangila Semakokilo (Prince of The Buganda Kingdom), 2018, Wood, metal, nails and found objects. 83 x 11.5 x 16.25 inches

Leilah Babirye (Born 1985, Kampala, Uganda) lives and works in Brooklyn, New York. She studied art at Makerere University in Kampala, Uganda (2007–2010) and participated in the Fire Island Artist Residency (2015). In 2018, she received asylum in the US with support from the African Services Committee and the NYC Anti-Violence Project, and presented her first solo exhibition at Gordon Robichaux in New York.

In 2020, Babirye presented her first solo exhibition in San Francisco at Rebecca Camacho Presents and will have her second solo exhibition at Gordon Robichaux in New York. Her work will be included in a group exhibition curated by Bob Nickas at APALAZZOGALLERY, Brescia, Italy. In 2021, Babirye will present her first solo exhibition in London at Stephen Friedman Gallery.

Babirye’s work was recently included in Flight: A Collective History at the Hessel Museum of Art, Bard College, Annandale-on-Hudson, NY (curated by Serubiri Moses); Stonewall 50 at The Contemporary Arts Museum (CAMH), Houston, Texas; Strange Attractors at Kerry Schuss in New York (curated by Bob Nickas); in the Socrates Annual at Socrates Sculpture Park in New York where she presented two monumental commissioned sculptures; Fur Cup at Underdonk, Brooklyn, NY (curated by Elisa Soliven); and in Plays on Camp at Assembly Room (curated by Ksenia M. Soboleva) in New York.


Babirye has participated in numerous panel discussions: at Tisch/NYU (organized by JD Samson); The Africa Center; the 1-54 Contemporary African Art Fair; and the Black Lesbian Conference at Barnard College in New York. Profiles on Babirye and her art were published in Cultured Magazine, New York Magazine, Modern Painters, OUT Magazine, and Raw Material: A Podcast from SFMOMA (Season 4; Luvvers)

Leilah Babirye, Untitled, 2015, Acrylic and mixed media collage on paper, 

11.5 x 8.25 inches

Leilah Babirye, Jesus, 2016, Wood, metal, nails, ceramic, glaze and found objects, 29 x 19.5 x 2.5 inches

Leilah Babirye, Lady B., 2018, Watercolor on paper, 9 x 12 inches

Leilah Babirye, Remains #8, 2017-2018, Found objects, nails and wire on wood panel, 37.5 x 23.75 x 2.5 inches

Leilah Babirye, Omumbejja Sangalyabongo (The Only Daughter of Nagginda, The Wedded Queen of Buganda), 2018, Wood, metal, nails, glue and found objects. 32.5 x 8.25 x 9 inches

Leilah Babirye, Omusomi Nalweyiso (Schoolgirl Nalweyiso), 2018, Watercolor on paper, 9 x 12 inches