DETAIL: Merman Diver, 2019

Devin N. Morris, Window Sill, 2019. Suede, leather, oil pastel, peacock feather, 7 x 5 inches 

Lecia Dole-Recio, Untitled (2x4 curves, indigo and cardboard)​, 2019. Acrylic, graphite, oak gall ink, tape, wood, 24.375 x 9.375 inches

Frederick Weston, Merman Diver, 2019. Mixed media on paper, 77 x 30 inches

Ray Johnson, Untitled (I Leave All My Lapins to Elaine de Kooning). 5.5.92, 1.1.88, 12.17.84, 8.12.91, 12.29.92, Collage on cardboard panel, 15 x 12.5 inches 

Ray Johnson, Untitled (Postcard), 1980-1987-90. Collage on illustration board, 17.312 x 13.062 inches 

Frederick Weston, Self-Portrait, 2013. Mixed media on paper, 11 x 8.5 in

LJ Roberts, Frederick Weston at NYC Pride, 2018. Embroidery on cotton, 6 x 4 inches 

Frederick Weston, Tommie’s Smile, 1979. Colored pencil on dot matrices print, 14 x 8.5 inches 

Frederick Weston, Blue Bathroom Series: Medication, 1999. Mixed media on paper, 11 x 8.5 inches (paper)

Frederick Weston: Happening

Group Exhibition

 April 28–June 16, 2019

Gordon Robichaux is pleased to present Frederick Weston: Happening, a solo exhibition of multimedia collage works and an installation of related archival binders, created over the past thirty years by artist and poet Frederick Weston.

In conjunction with Happening, Gordon Robichaux has curated a group show of artwork by sixteen artists in the smaller room of the gallery: Nayland Blake, Anne Collier, Lecia Dole-Recio, Eve Fowler, Daniel Marcellus Givens, Matthew Higgs, Ray Johnson, Elizabeth Karp-Evans, Lynn Hershman Leeson, Devin N. Morris, Lorraine O’Grady, LJ Roberts, Sur Rodney (Sur), Tabboo!, Andre Walker, and Shyvette Williams. This eclectic group of artists and works engage many of the concerns and ideas central to Weston’s practice—his use of appropriated images and objects; collage strategies; and exploration of representations of identity, desire, and the human body.  

Lynn Hershman Leeson, Water Woman Evaporating x 3, 2003. Vellum, mirror, ink, celluloid, mylar, 13.5 x 17.5 inches 

Andre Walker, Tears: Voice of The Body, 2018. Watercolor on paper, 12.5 x 15 inches 

Sur Rodney (Sur), Micro Accessories, 1994. Mixed media, Two parts: 8.25 x 6 x 2 inches (box), 14 x 8 x 8 inches (dumbbell) 

Daniel Marcellus Givens, #whatremains@lostboys/inpieces, 2018. Pencil and marker on paper, 13.5 x 11 inches (paper)

Eve Fowler, Untitled (Hustler), 1994-1998. C-print, 14 x 11 inches, Ed of 10 

Anne Collier, French Still Life #1 (Postcard), 2012. C-print, 28 x 22.6 inches, Ed of 5 + 2 AP

Sur Rodney (Sur), Chateau, 1994/2019. Mixed media, Dimensions Variable: Two Parts: 6 x 3.25 x 1 inch (box), 3 x 1.5 inches 

Matthew Higgs, WRONG, 2012. Framed book page. 20.75 x 17.75 inches (frame), Ed of 3 

Eve Fowler, Untitled (Hustler), 1994-1998. C-print, 14 x 11 inches, Ed of 10 

Eve Fowler, Untitled (Hustler), 1994-1998. C-print, 14 x 11 inches, Ed of 10 

Tabboo! (Stephen Tashjian), Untitled (Stephanie Crawford), circa 1984/88. Xerox, 11 x 8.5 inches 

Shyvette Williams, Untitled, 2009. Watercolor on cardstock, 4 x 5 inches 

Elisabeth Karp-Evans, Mirrors and Windows 5, 2018. Inkjet print on mylar,
10 x 8 inches 

Lorraine O’Grady, Art Is. . . (Girl Pointing), 1983/2009. C-print in 40 Parts, 20 x 16 inches, Ed of 8