Stephanie Crawford, Still Life with Green Vase, 2016, Watercolor on paper, 22 × 15 inches

Wilder Alison, Untitled, 2019, dyed wool and thread, 31.4 × 55 inches

Leilah Babirye, Omulodi Omuvubuka we Kibuga (Stylish Boy of The City), 2020, Glazed ceramic, wire, found object, 18 × 12 × 7 inches

Frederick Weston, Blue Bathroom Blues, 1999, Mixed media collage, 11 × 8 1/2 inches

Elisabeth Kley, Fountain with Crescents and Leaves, 2019, Glazed earthenware, pump, epoxy, wax, and coins, 50 1/2 × 18 × 18 inches

Daniel Marcellus Givens, Something About Him (I Always Knew), 2018, Acrylic, watercolor, marker, pen on paper, 14 × 11 inches

Daphne Fitzpatrick, Chrome Cock, 2020, Found object, 6 × 7 × 3 inches

Daphne Fitzpatrick, Lesbian Seagulls for Maya Rudolph and Kristen Wiig, 2020, Found objects, epoxy, screw, 16 × 8 × 2 inches

Leilah Babirye, Nankulu we Kibuga (Female Mayor of The City), 2020, wood, metal, nails, screws, found objects, wax, 59 5/8 x 11 x 12 inches

Daphne Fitzpatrick, Quadrifolio, or Spotsylvania girl charms her way into Guinness book of world records by finding 166 four-leaf clovers, 2020, Found object, wax, 1 × 3/4 inches

Reverend Joyce McDonald, Joy In The Storm, 2001, Air dry clay, acrylic paint, staples, 8 1/2 × 5 1/2 × 2 3/4 inches

Dean Spunt, Total Shutdown Live, 2020, Paint, glass vases, cassette tapes, cassette players, 12 x 5 inches (each cylinder)

Kerry Schuss, Untitled (Blue Bars), 1979-2020, Dye sublimation print on aluminum with artist frame, 41 1/2 × 33 3/4 inches, Edition 1/6 + II AP

Ken Tisa, Untitled, circa 1980s, Acrylic, gouache, watercolor on canvas, 14 × 18 inches

Otis Houston Jr., Mother Sadie, 2018, Mixed media, found and altered objects, 27 × 16 × 28 inches

Matt Paweski, FILTR, (Alternate view) 2020, Aluminum, aluminum rivets, plastic, rubber, vinyl paint, 40 × 20 × 10 inches

Elisabeth Kley, Red, Turquoise and Gold Cylinder with Triangles and Flowers, 2020, Glazed earthenware, 8 × 3 1/4 × 3 1/4 inches

Matt Connors, Second Section, 2020, Oil, acrylic, colored pencil on panel, 20 × 16 inches

Siobhan Liddell, Big Shell, Red Knot, Leaf in Hand, 3 Cups, Green Circle, Small Shell, U, 2020, Glazed ceramic, Dimensions variable

Elisabeth Kley, Fountain with Crescents and Leaves, (Detail), 2019, Glazed earthenware, pump, epoxy, wax, and coins, 50 1/2 × 18 × 18 inches

Marco ter Haar Romeny, Air Return, 2019, Glass tube, wiring, transformer, 49 × 1/4 inches

Elisabeth Kley, Cylinder with Arrow Leaves, 2020, Glazed earthenware, 8 × 3 1/4 × 3 1/4 inches

Leilah Babirye. Kuchu Series, (Queer Ugandans), 2020, Acrylic on paper
24 × 18 inches

A Page from My Intimate Journal (Part II) —

March 15 – June 14, 2020


Gordon Robichaux (New York) and Parker Gallery (Los Angeles) are pleased to announce a gallery exchange from March through April 2020. In the spirit of collaboration, the exchange is a platform to foster and expand audiences for the two programs and their artists. 

Gordon Robichaux will present an expansive group exhibition at Parker Gallery in Los Angeles: A Page From My Intimate Journal (Part II)—. The exhibition exemplifies Gordon Robichaux’s distinct vision and program, and includes artwork by artists represented by the gallery, artists who’ve collaborated with the gallery over its three-year history, as well as those who point to the program’s future.


Performances:
March 15: Otis Houston Jr., Dean Spunt, Frederick Weston

Wilder Alison, Leilah Babirye, Matt Connors, Jenni Crain, Stephanie Crawford, Florence Derive, Daphne Fitzpatrick, Gillian Garcia, Daniel Marcellus Givens, Janice Guy, Otis Houston Jr., Miles Huston, KIOSK / Marco ter Haar Romeny, Clifford Prince King, Elisabeth Kley, Wayne Koestenbaum, Siobhan Liddell, Rosemary Mayer, McDermott & McGough, Reverend Joyce McDonald, Matt Paweski, Signe Olson, Sanou Oumar, Kerry Schuss, Dean Spunt, Tabboo!, Ken Tisa, Boris Torres, Frederick Weston. 


Siobhan Liddell, E (in your Exquisite light), 1995-2020, Pigment print, 20 × 16 inches, Edition 1/3

Reverend Joyce McDonald, Family Strong, 2001, Air dry clay, acrylic paint, 8 1/2 × 5 1/2 × 2 3/4 inches

Jenni Crain, Study II, 2019, Walnut, 3 × 3 × 3 inches

Stephanie Crawford, Chocolates #3, 2017, Watercolor on paper, 15 × 11 inches

Elisabeth Kley, Leaf Column Cylinder, 2020, Glazed earthenware, 5 1/2 × 3 1/4 × 3 1/4 inches

Signe Olson, Prospect Park, 2020, Gouache and Flashe on paper, 22 1/2 × 15 inches, 25 × 18 inches (framed)

Jenni Crain, Study I, 2019, Walnut, 6 9/16 x 3 5/8 x 1 4/8 inches

Miles Huston, Fresh Vegetables San Joaquin Valley, 2020, Water jet aluminum with UV print, cast aluminum stand-offs, 58 × 45 × 2 inches

Frederick Weston, Blue Bathroom Blues, 1999, Mixed media collage, 11 × 8 1/2 inches

Leilah Babirye, Banalukalala Bomu Lubiri Mengo (Notorious Woman in The Lubiri Mengo Palace) #1, 2020
Glazed ceramic, wire, found object 9 × 6 1/2 × 7 inches

Matt Paweski, FILTR, 2020, Aluminum, aluminum rivets, plastic, rubber, vinyl paint, 40 × 20 × 10 inches

Otis Houston Jr. with Miles Huston, Educate Yourself, 2017, Paint on canvas with grommets, 95 × 17 inches

Rosemary Mayer, Connections, 1978, Colored pencil, graphite, charcoal on paper, 20 × 26 inches

Daniel Marcellus Givens, Coming Up For Air (Surrounded by Blues), 2018, Acrylic, watercolor, marker, pen on paper, 14 × 11 inches

Wayne Koestenbaum, Blue Pleasure Cruises, 2018, Acrylic on paper, 24 × 18 inches

Siobhan Liddell, Just Dust, 2020, Glazed ceramic, found objects, string, screw, 45 1/2 × 17 × 9 1/2 inches

Elisabeth Kley, Yellow and Turquoise Eye-Shaped Planter, 2019, Glazed earthenware, 9 × 6 × 9 inches

Daphne Fitzpatrick, Complete Combustion, 2020, Beeswax, found object, aluminum, 52 × 6 × 10 inches

Miles Huston, Everything is Corn, 2020, Feed Corn cast in UV stabilized epoxy, 12 × 21 × 8 inches

Frederick Weston, Blue Bathroom Blues, 1999, Mixed media collage, 11 × 8 1/2 inches

Daphne Fitzpatrick, Goodbye Christopher Robin, 2020, Found and torn paper, 3 × 2 inches

Daphne Fitzpatrick, Your Zipper is Down, 2020. Wax casting, steel rope, steel armature, 48 × 7 × 7 inches

Dean Spunt, Catalog #1 and #2, 2014, Paint, glass vases, cassette tapes, cassette players, plastic figurine, 12 x 6 inches, 8 x 6 inches

Elisabeth Kley, Yellow and Turquoise Eye-Shaped Planter, (Alternate view) 2019, Glazed earthenware, 9 × 6 × 9 inches

Miles Huston, Verse, Yellows, 2019, Colored pencil on paper, 33 × 33 inches

Daphne Fitzpatrick, Bell, Book and Candle, 2020, Found objects, black shoe polish, 25 × 6 × 2 1/2 inches

Janice Guy, Untitled, 1979/2016, Gelatin Silver print, hand colored, 24 × 20 inches, Edition 1/5

Clifford Prince King, The Lovers, 2016, C-print on luster paper, 24 × 16 inches, Edition 1/3

Florence Derive, September, 2017, Oil on linen, 36 1/4 × 24 1/2 inches

Boris Torres, Portrait of Esther McGowan, 2019, Acrylic on paper, 24 × 18 inches

McDermott & McGough, Twilight Men, 1965 -2017, Oil on board, 9 × 10 1/2 inches

Tabboo!, Rhapsody in Blue, 2020, Acrylic and glitter on canvas, 60 x 60 inches

Miles Huston, Verse, Blue is Blue Because of Red, 2019, Colored pencil on paper, 33 × 33 inches

Tabboo!, Rhapsody in Turquoise, 2020, Acrylic and glitter on canvas, 42 × 32 inches

Frederick Weston, Blue Bathroom Blues, 1999, Mixed media collage, 11 × 8 1/2 inches

Rosemary Mayer, Connections, 1978, Colored pencil, graphite on paper, 26 × 40 inches

Siobhan Liddell, Diagram of Clay Objects, 2020, Watercolor on paper, 9 × 11 inches

Florence Derive, July, 2017, Oil on linen, 36 1/4 × 22 1/2 inches

Jenni Crain, Study IV, 2020, Walnut, glass, 8 × 15 1/2 × 2 inches

Sanou Oumar, 6/10/19, 2019, Pen on paper board, 40 × 30 inches

Tabboo!, Pears, 2020, Acrylic on linen, 10 × 16 inches

McDermott & McGough, Unveiling the Secrets, 1965-2017, Oil on board, 12 × 9 inches

Ken Tisa, Swelling Thighs, 1988, Glass beads, sequin, cotton, 20 1/8 × 21 1/2 × 1 3/4 inches